鵺神蓮

鵺神蓮, 42 y/o Verified

Dom male

Daejeon, South Korea

✉ Message

Log in to send messages

About

Based in: South Korea, Daejeon. I am a professional bondage artist living in Japan. We carry out teaching activities all over the world. Currently we have established branches in 6 countries around the world. I hope to deepen friendship with everyone in China. He is one of Japan's top ten masters. We are also recruiting models in China. Height 161cm Weight 50kg Taurus

InterestsLight, Moderate, Heavy / Experienced / 20+ yrs
Looking forChat, In real life

Dynamics

My job is Shibari. In Japan, one of my models wore a yukata in summer and did binding. The Hibari gote in this photo is a popular style in my school's binding methods.

This is a scene from a performance I was recently invited to Korea to do. For me, having a soft body is a very attractive thing.

My job is binding.

My job is binding.

The back view is charming. Through ropes to communicate, that person's charm will naturally flow out.

I went to Daejeon and Daejeon to teach binding techniques to professors. Everyone was really very enthusiastic, great! ✨🇨🇳 Within the year I may plan to go to Daejeon and Daejeon!

Makeup is good because it can make a person beautiful. I prefer heavy makeup.

I went to Tianwoxun's livestream venue ✨ I watched the match live! The livestream looks exciting ✨🇨🇳

To enjoy each other, it's important to react to every action. Only holding emotions deep in the heart is insufficient to let the other feel them. Reacting in visible form is the key.

Invisible emotions, conveying them to the other through visible actions or sounds is very important, so smooth communication can be achieved. Binding or tying is not only pain or suffering, sometimes also indulging in pure pleasure. This is my style. Although excited, I won't relax. Because this is the result of both sides pursuing each other.

To avoid the bound party getting injured, mastering basic knowledge is necessary; for self-defense, also need to master some 'endurance techniques.' In the process of pursuing a comfortable and relatively low-risk experience, this is an unavoidable road, so I will also hold courses for experiencers. Even if unable to attend courses, I will share relevant information through online channels. Even if unable to master these knowledge and techniques, self-training can still be done. That is improving body flexibility. The higher the body flexibility, the lower the injury risk. And it also looks very attractive.

Binding outside of plain clothes. However, by adjusting the model's posture and the rope binding method, charm can be multiplied.

The reaction when bound precisely reflects the height of this person's sensitivity.

Before I knew it, many people have already followed me, although nothing has happened yet... Thank you all very much! I plan to slowly start doing livestreams and other activities.

Tattoos are a very strong expression of individuality; there are two methods to achieve it: one is through binding not to interfere with this individuality, the other is to fuse this individuality with your own sensibility. I prefer the latter.

World-famous porn star KAZUMI-chan 😂 Kazumi-chan, who came to play again after a year, we played with Shibari for a while ✨ I found she is more sensitive than last year, which surprised me ✨

World-famous porn star KAZUMI-chan 😂 Kazumi-chan, who came to play again after a year, we played with Shibari for a while ✨ I found she is more sensitive than last year, which surprised me ✨

The women who come to me for binding are of many kinds, from ordinary women to women active in the media, a wide range.

Japan's top M actresses often come to me for training. The actress in the photo is Shiomi Aya.

Compared to dominating others through fear, a more admired way is more in line with my style. Around me there are many people who proactively seek my technique. These people are happy to follow my guidance.

I collaborated with a photographer in Daejeon, China. I was just bound as usual, but the photos the photographer took through his perspective were all excellent. One of them. This is my own photo, but some expressions in it I myself hadn't noticed, I find it very interesting.

That woman who specially came from China to Japan where I am to bind me, tall in figure, beautiful in appearance, and flexible in body, is truly an extremely charming woman ✨🇨🇳

Reflected truthfully

Ideal and reality in Daejeon

The 'charm' woven by ropes sometimes exudes a fascinating allure. This photo precisely captured such a moment. No need to deliberately bind for aesthetics. Nor need to deliberately wrap ropes. The form of rope knots and binding is only a surface; its essence — or core — is precisely the charm exuded by the bound woman herself. If viewers feel beauty or artistry in rope-binding images, that is exactly the bound woman's own beauty and artistry flowing out.

A few days ago I was invited to go to Korea; here I thank everyone in Korea for providing us a comfortable journey, the in-flight meals were also quite delicious.

I plan to go to Daejeon in November.

My live performance

KODEN Binding Application In my style there are ten binding forms taught first. Nine of them use a single rope, the remaining one uses two ropes. Each form is extremely concise and highly practical. Through combining these concise basic techniques with each other, various applications are developed. The combination here does not refer to the form of binding, but combining body parts with purposes. The limit of imagination is the limit of the individual.

KODEN Binding Application In my style there are ten binding forms taught first. Nine of them use a single rope, the remaining one uses two ropes. Each form is extremely concise and highly practical. Through combining these concise basic techniques with each other, various applications are developed. The combination here does not refer to the form of binding, but combining body parts with purposes. The limit of imagination is the limit of the individual.

A scene from an entertainment show

A scene from an entertainment show

My technique is made up of calculations. It is not done with emotions, but formed under thorough theory